C.E.G. Beveridge Prize for
Best In Show
“Silken Innocence”
by Linda McEwan
“Silken Innocence” immediately commands attention with its limited yet bold colour palette of red, gold, and white—an arresting combination that gives the piece both elegance and power. The image of a young Chinese girl beneath a gold sun umbrella is visually striking, and the artist’s innovative use of mixed media adds depth and texture without ever distracting from the subject. What makes this work truly stand out is the emotional complexity captured in the girl’s expression; while her face retains a softness of youth, there’s a quiet strength and confidence in her gaze that gives the piece a compelling tension. It’s a beautifully executed work that leaves a lasting impression.

Second Prize

“Morning Calm, Echuca” by Lianne Fritsch
“Morning Calm, Echuca VIC” beautifully captures the quiet stillness and soft light of the Murray River in the early morning, evoking a sense of peace and presence as if the viewer were standing on the riverbank. The artist demonstrates a refined command of tone and light, with a colour palette that not only reflects the natural beauty of the scene but also conveys the ambient temperature and atmosphere. The composition is strong and balanced, drawing the eye gently through the landscape, and it’s clear that each brushstroke has been applied with care and technical skill. This is a work of quiet power, created by a confident and attentive painter.
Third Prize
“Little Robin” by David Lawn
“Little Robin” is a beautifully intimate piece that draws the viewer in with its fine, delicate detail and quiet presence. Though small in scale, the work carries a gentle emotional weight—the soft rendering of the bird conveys a sense of vulnerability and tenderness, while the thoughtful framing creates a protective, nest-like space around it. This subtle composition enhances the feeling of stillness and care, making the piece feel both precious and serene. It’s clear that the artist possesses a high level of technical skill and sensitivity, bringing both craftsmanship and emotion to this peaceful, finely observed work.
Highly Commended
“Real and Imagined” by Pauline Birnie
“Real and Imagined” is a thoughtful and inventive multimedia work that balances photography and paint with subtlety and skill. Mounted on wooden panels, it explores light, shadow, and texture through a limited palette, creating a piece that is both visually simple and conceptually layered.
“Mucha do about Melbourne” by Nic Kirkman
“Mucha do about Melbourne” is a playful and contemporary tribute to Alphonse Mucha, featuring a beautifully rendered face and a confident, distinctive style. The artist’s use of colour and shape is both bold and harmonious, making the work visually engaging and full of character.
Pushing the Boundaries Prize
“Silva Areae”
by Catriona Galbraith & Suzanne Swann
“Silva Areae” is a wonderfully imaginative and innovative small sculpture that stands out for its originality in concept, form, and execution. The artists have skilfully played with light, shadow, and texture to create a dynamic and engaging piece that shifts as you move around it. The colour choices are rich and well-considered, enhancing the sculpture’s sense of depth and intrigue. What truly captured my attention was the meticulous detail in the fine beading—an element that adds a sense of delicacy and enchantment. The work evokes a feeling of magic and wonder, inviting the viewer into a world both mysterious and beautifully crafted.


People's Choice Award
“Hydrangea Lazy Susan”
by Susan Gardiner
