MAS Autumn Exhibition 2026: Featuring Barbara Peake Prize

Barbara Peake Prize for Best In Show

Winner

“Mossman Gorge, Daintree”
by Margaret Meadows

This work stood out for me. Its excellent asymmetrical composition when viewed from afar was augmented by its intricate mark making on close observation. For me, a black and white work need a full range of tones which this successfully achieves. This Lino Print is also beautifully presented and makes an excellent pair for its coloured version.

Emerging Artist Prize

Winner

“Under her Wing”
by Tanya Di Michelle

This is sensitive rendering of a mother and child. There is a
serious and intense focus in the mother’s eyes as she looks at
her sleeping child. The warm tones of pink, burgundy and
mauve convey a lovely intimate, yet universal theme of a
mother’s profound tenderness and protectiveness towards her
baby.

Highly Commended

“The Whisper of Flowers”
by Ash Sookaram

Light is conveyed in this painting through lovely loose paint
strokes and well-placed splashes of white paint, with a dash of
gold in the vase reflecting sunlight. The mauve to purple
petals delicately dance in the vase adding an enjoyable sense
of movement in the work.

Best Other

Winner

“Platter – Coolabah Burl”
by Harold Pinto

This shows the delight in the medium. The simplicity of the design and the smooth finish, focus our attention on the beauty of the wood grain. Well done!

Highly Commended

“Ocean Pod”
by Wendy Swan

This decorative ceramic pot cleverly uses its mirror base to highlight the decorative features on the bottom which would not be visible without this device. Sgraffito lines and more circular motifs like those reflected from the bottom create a pleasing unified design.

Highly Commended

“Ladies Tarn”
by Jackson Adams

This Rothko like atmospheric photograph shows great promise with its wonderful colours. However, I find the wooden frame clashes with this beautiful photograph and distracts from the image. I think painting the frame black or a colour in the photograph would enhance the final presentation.

Best Acrylic

Winner

“Following the Birrarung”
by Rain White

This large, bold contemporary landscape references the indigenous heritage of the area, in a personal way. The blue of the twining river contrasts with the complementary warm colours of the land. Pattern throughout creates movement in the scene.

Highly Commended

“Over the Hill”
by Sue Cook

This impression freely captures a country landscape with that special light before a storm, highlighted on the trunks and hills against  a deep purple moody sky.  The track invites us into to this unimposing scene. Well done!

Highly Commended

“Joy”
by Julia Meere

This joyous garden painting captures the beauty of a garden glimpse. Green hues unify the composition and complement the two vibrant  pink flowers and bud. This is freely painted and shows promise.

Best Mixed Media

Winner

“Before the Storm”
by Lilja Bauer

This is a strong section with many contenders for the award. After much consideration I have selected a highly textural work with thick impastos counterbalanced by sensitive lines and explosions of muted colours and strong lights that suggest the energy build up before the storm.

Highly Commended

“Sunday”
by Suzanne Swann

This small creative textile embroidery immediately attracted my attention with its diverse fabric selection,  interesting found objects, neat stitching, and structured applique.  I  was particularly  impressed with the fabric escaping the order of the formal mount.

Highly Commended

“Urban Forest”
by Anne Ryan

This is an intriguing work of many layers with carefully arranged shapes complemented by excellent mark making. Negative areas balance areas of complexity. This square shaped work is beautifully presented to ensure our focus is on the artwork.

Best Watercolour​

Winner

“A Gesture Toward the Light”
by Angela K Lee

This pleasing watercolour is well designed with wonderful use of tone to model the figure, head, and robes.  The figure is place against a freely painted landscape background that make a harmonious composition.  However, I am concerned that your decorative gold frame takes attention away from your beautiful painting.

Highly Commended

“View to Herring Island”
by Helene Oberman

This gouache study is well designed with a harmonious, limited palette except for the complementary warm touches of the bank. I love that the trees have been placed high in the composition, so our focus is on the myriad reflections. Gouache is such a great medium!

Highly Commended

“The Nobbbies Walk”
by Diane Hagqvist

This atmospheric watercolour is beautifully presented to enhance the painting. The painting clearly captures the essence of the spot. However, I feel a few small specks of the white paper showing through would highlight the immediacy of this medium and add vitality. Your work shows great promise.

Best Oil​

Winner

“Sorrento Ocean Beach”
by Peter Gibson

This painting captures the rocky beach in an individual way.  All areas – the cloudy sky, breaking distant waves and rocks have been simplified into shapes. These shapes are outlined to clarify their contours and  are filled with flat areas of harmonious colours.  This forms a cohesive composition while retaining the essence of the scene.

Highly Commended

“Pomegranates and Grapes
by Yu Yaxuan

I have selected this still life because I was particularly impressed with the treatment of the basket, the reflections of the fallen fruit and the subtle suggestion of the tabletop. However, I feel there could be more highlights on the fruit and some darker areas to differentiate them more. The dark background enhances the composition and should be continued on the stretcher frame  or be painted black as the white edges distract. This work shows great promise.

Highly Commended

“Bright Autumn Shadows”
by Lianne Fritsch

The vibrant, clean autumnal colours enhanced by rich darks attracted me to this joyous painting. The treatment of the ground is impressive. The strong contrasts make the foreground trees appear stylized which adds interest. However, I feel that some of the back  tree trunks could be better observed to create more interesting shapes. Your work shows great promise.

JUDGE: Jo Reitze
SPONSORED BY: Senior Art Supplies
senior art
The Barbara Peake Prize was named after our second MAS President.